While this technology has the potential to solve cold cases and bring justice to its victims, it also raises important ethical concerns and questions about genetic privacy.
Within these filmic depictions, East Asians remain eternal outsiders and representative of an automated world that threatens humanity, culminating in the expression of the Western fear of a technological future that looks Asian.
This female intimacy borne from conflict is truer to life than perfectly manufactured, hyperfictional Victorian romance, and as a result, compels attention despite its lack of focus.
The surveillance employed by the State is intrusive and assertive; it holds power over the citizens, making the state authoritarian, which Auden would certainly be opposed to given that he was quite anti-Authority.
In the present world, a transracial adoptee’s experience is inevitably complex, as they break both the genetic continuity and the racial continuity in our definitions of family.
Through constant oscillation between the imagined and the tangible, Auden presents the problem of love; even when the “you” only exists in the imagined past, the speaker cannot help but try, through language, to bring them into the tangible present.
The question of “What is the right way for Black women to be feminine?” has become a crucial point of debate in recent years, especially on social media where people showcase their femininity in various ways.
To look at children is to see the differences between violence and resistance as a means to an end by the economic, colonial, state framework and the embodiment of life and survival.