BISHOP’S VISIONARY SEASCAPES by Sarah FischerPosted on March 14, 2019April 16, 2019CriticismInterdisciplinary Seminar "The Bight" and "The End of March" cast light upon an invisible line that connects Elizabeth Bishop's earlier work to her later work.
BISHOP’S NEW YORK CITY NIGHTSCAPES by Sarah FischerPosted on October 11, 2018November 14, 2018CriticismInterdisciplinary Seminar "'The Man-Moth' and 'Varick Street' are urban nightscapes, depicting a dark double of the world perceived in the light."
Song of Sudden Time by Sarah FischerPosted on November 29, 2017February 16, 2021CriticismInterdisciplinary Seminar “It is unavoidable that the world would force itself into Stevens's work—one cannot live in the world and not be a part of it.” On Wallace Stevens's war poem, “Martial Cadenza.”