
Smth to Hold Onto

Coup de Grâce

Too Much Red

Clit

In Limbo

Cake
"To my young self, beautiful sister, and other feminine creatures.
'Body, I' portrays the implications of perceiving the body as a separate entity from the self. This merchandising of the physique responds to social media profiling, where the body symbolizes a foreign reality. The multiplicity of identities is disorienting and can lead to a broken sense of self.
As a lifelong sufferer of insecurities concerning physical appearances, I found myself trapped in cycles of physical neglect. While my work today represents the journeying towards a new way of perceiving, I’d like to make aware that despite the consequences of body distortions being mentally and physically destructive, it is yet a condition that is applauded in distinguished societies. The collective consciousness towards producing disorderly identities is ongoing and this is a problem.
I felt disgusting in private, but in public I felt like a delicate flower."—Eirdís H. C. Ragnarsdóttir
"Body, I" appears in the 2016 Gallatin Arts Festival.
'Body, I' portrays the implications of perceiving the body as a separate entity from the self. This merchandising of the physique responds to social media profiling, where the body symbolizes a foreign reality. The multiplicity of identities is disorienting and can lead to a broken sense of self.
As a lifelong sufferer of insecurities concerning physical appearances, I found myself trapped in cycles of physical neglect. While my work today represents the journeying towards a new way of perceiving, I’d like to make aware that despite the consequences of body distortions being mentally and physically destructive, it is yet a condition that is applauded in distinguished societies. The collective consciousness towards producing disorderly identities is ongoing and this is a problem.
I felt disgusting in private, but in public I felt like a delicate flower."—Eirdís H. C. Ragnarsdóttir
"Body, I" appears in the 2016 Gallatin Arts Festival.