A multimedia collage layering digital artwork, vintage tv ads, and film clips explores my creative process and critiques the representation of women in the mid-twentieth century, all to Astrud Gilberto's iconic bossa nova beat.
it was I, peeking from the pinkest parts of myself/ to submit to a fear of causal efficacy bound together/ by the tiny hand sandwiches I had mentioned before
"In order to live responsibly and humanely during a time of anthropogenic climate change, this collage responds to the need to look to life as a diverse assemblage of inter- and intra-related entanglements, connections, branches, and networks."