Check every hollow; follow every crease and let it swallow you down. Let it tickle, that’s it you're fickle. See? You’re weak, you're fickle. Let it tickle you. You are bored almost bored.
From the outside looking in, many see Gallatin as a sort of bubble, an idealistic utopia without the consequences of the “real world.” However Gallatin has practical utility, and in fact, traditional education has a lot to learn from it.
A multimedia collage layering digital artwork, vintage tv ads, and film clips explores my creative process and critiques the representation of women in the mid-twentieth century, all to Astrud Gilberto's iconic bossa nova beat.
There are poets and there are composers. In a way, it’s simply about their strategies for producing art and relationship to art making. In another way, it’s an inherent, spiritual quality—housed somewhere between the body and the note.
My face and my head pulse, and so does the radio. I’m losing track of time, but I can tell that we’re close to the beach when the police officer stops us—the ceaseless strip of road has gone satisfyingly gritty with sand.
Sometimes I look at my computer screen, at all of the words that I’ve written and all of those that have yet to show themselves to me, and I have the sense to think that I’m looking into a cracked mirror that I don’t quite comprehend.