These works truly exemplify the Gallatin Theater Troupe's mission of a radical, people-first, care-centered practice to theatre-making, while modeling interdisciplinary storytelling.
The female characters in Shakespeare's "Othello" are unknowingly thrown into the center of Iago’s villainous plot and used as pawns. How do they combat their circumstances and find power?
Fundamentally, Shakespeare's "As You Like It" is an introduction to the concept of the consumer theater, of this new game space that we consciously create via works of “media."
The rigors of masculinity have tainted men’s understanding of themselves, their relationships with others, and the societies in which they live. In "Macbeth," the main characters implicitly express their beliefs on what a man should be.
While audiences and scholars may be tempted to view the women of "Richard III" as secondary characters taking passive roles, a challenging point of view is that they are in fact outspoken and active in doing as much as they can within their given circumstances.
The truth of any good tale is the thing that makes it art. Without truth, art’s power to change the way we see things fails in the hands of the artists and remains, then, merely words on a page.
In their groundbreaking one-woman plays, Phoebe-Waller Bridge and Jacqueline Novak prove that uncensored comedy celebrating female sexuality can find mainstream success.
Cast member Gwendoline Horning discusses the upcoming performance of The Brides of Atreus and "the exciting and occasionally challenging nature of ensemble-based theater-making."