On estrangement in Sebastião Salgado’s photographs of refugees and migrants.

The Theoretical and Historical Roots of Trump’s Populist Rhetoric and Fear Appeals

"It would almost be funny, how fragile a man and his ego can be, if it weren’t so very literally deadly. She never used to think of it as anything more than catcalls, mere shouting voices, side-eyed glances, all cast into the darkest pits of her memory."

Much Ado about Nothing can be read as a challenge to "male insecurity that stems from the connection between male honor and female chastity."

"Whether Tony Soprano or Don Draper, the mysterious men with a complicated past and an even more complicated present reflected not only changes in viewing patterns but also a deep change in how the nation reflects itself on television. But who are the "Difficult Women" of the television revolution?"

During the Cold War, was the United States government was able to dissuade the American public into believing in a “safe” atomic bomb?

A Brief Review of Néstor Almendros’s A Man with a Camera, but Mostly My Own Thoughts about Film, Art and the Human Condition

"How and to what extent does photography translate the horror of the Nazi concentration camps to the distanced viewer?"

"Watching the latest Beyonce music video, "Mine," directed by Pierre Debusscherre I thought, we do strange things to tell the story of our emotions with our bodies."

Like an apartment, a box is private, personal, sensitive; it stores its content within walls, behind an address. As a package, it has only the functions of identity, security, and portability. As long as it arrives at the right place, without internal damage, it has completed its task. It will not be integrated into its recipient’s life.