There are poets and there are composers. In a way, it’s simply about their strategies for producing art and relationship to art making. In another way, it’s an inherent, spiritual quality—housed somewhere between the body and the note.
I do not practice with a metronome because I want to become a better drummer. I practice with a metronome to practice focusing. To practice pretending that the world is objective. To meditate.
Frida Kahlo's "La Columna Rota" is an anthem of self-reflection, fearlessness, and honesty for people who do not belong to predetermined classifications.
Hart's self-portraiture engages with disability art as it focuses on a self-representation that explicitly rejects and complicates traditional representations of breast cancer survivors and people with impairments/disabilities.
Sophocles’s "Oedipus the King introduces" important questions about the nature of justice and calls into discussion what warrants guilt and shame.
How can you reconcile your identity as a liberating force while using the language of your oppressor and benefiting from physical freedom that many of those in your homeland do not possess? Assia Djebar wrestles with these questions in "Fantasia."
Medea possesses qualities that conform to the gender expectations of ancient Greece, but many parts of the play suggest that Medea is a feminist figure who challenges the gender and social norms of her time.
Life is absurd. We are born into a world without a clear reason and we must play silly little games and perform trivial roles in order to be accepted into said world. And, in the end, we disappear.
The rigors of masculinity have tainted men’s understanding of themselves, their relationships with others, and the societies in which they live. In "Macbeth," the main characters implicitly express their beliefs on what a man should be.
“Look, Doni!” the girl called to me, “I’m like a bird!” She discovering “the other,” organizing the world around her into the grammar of you/I, bird/not-bird, like/not-like.