How do we reconcile our present identity with continuous movement of time, the incessant production of personal history? How do medium and genre modulate the expressions of this existential quandary?
When law requires “only” confession for its functioning, what exists beyond this axiomatic logic? Where does confession reach its limits? Where do its uses turn on themselves?
Working across film, literature, philosophy, and history, the authors take creative and critical approaches to the study of technology, profoundly concerned with its reciprocal influence on and by the human.