How does the language used on hair care products define what is considered beautiful and, thus, imply how Black women should see their beauty?
How do white parents of black, biracial, or transracial children find resources and form community centered around Black hair care?
The first installment of "A Seat at Our Table," featuring “The Black Women Boss Ladies of Shondaland” by Cheyenne Porcher “Black Motherhood on Primetime Television” by Courteney Celestin, “Laboring Women: Black and White Beauticians in Film” by Ava Marshall, and “The Liberation of Black Women through Cinema” by Kendra Brown.
From Claire Huxtable to Rainbow Johnson, how has the portrayal of Black women and Black motherhood in Black sitcoms changed over time?
How do portrayals of Black women in the 1990s cinema reimagine the journey of self-discovery and healing?
The publication Harry Styles in a dress on the cover of Vogue's December 2020 issue reveals a history of mainstream fashion appropriating subversive, androgynous styles and redefining them within the gender binary in order to sustain itself with new trends.
I stay up all night looking at images, images, images of bodies. Cut up, reassembled bodies. Changing bodies. Impossible bodies.
A short history of the term "catharsis" and its relevance to the discussion of artistic truth vs. scientific fact.
In this showcase, "Beyond Genesis," students from "Interartistic Genres: Beyond Adaption" were asked to present pieces from their autobiographical oeuvre drawing from Biblical prompts.
Colin Tóibín’s novella, The Testament of Mary, is a retelling of the Gospels through Mother Mary’s voice, one that is noticeably silent in the bible itself. I hope to place The Testament of Mary next to its source text, The …