Where traditional approaches to environmentalism and the facts they provide can overwhelm the audiences they are meant to incite, dance can provide an alternative route in communicating the urgency of climate injustice.
This poetry collection was created in response to the focus on ecocide—the destruction of natural environments due to human (in)actions—as a primarily dramatized experience.
The similarities between the tourist industry today and settler presence in the Caribbean are striking: Both thrive on the idea that the Caribbean is a place that can (and should) be freely consumed, economically and visually, by Western people.