“Look, Doni!” the girl called to me, “I’m like a bird!” She discovering “the other,” organizing the world around her into the grammar of you/I, bird/not-bird, like/not-like.
Colin Tóibín’s novella, The Testament of Mary, is a retelling of the Gospels through Mother Mary’s voice, one that is noticeably silent in the bible itself. I hope to place The Testament of Mary next to its source text, The …
In one of the many plots woven into the web of Middlemarch, George Eliot reimagines Charles Dickens’s fantastic story of Pip and his “great expectations” through the much more realistic story of Fred Vincy.
A villain, or at the very least an antagonist, is integral to most narratives. In Othello, Iago drives the struggle toward catharsis.
Whether representations of violence can help to rectify the unjust treatment of the oppressed is a familiar topic of debate, but our discussions focus too much on the intention of the creator and not enough on the effect on viewers.
If I like a film enough after the first watch, I think about it nonstop for weeks on end. I ponder the moments that made me shudder and gasp.
"American Sniper" not only espouses a tired “good vs. evil” narrative, but in altering, omitting, and fabricating aspects of the Iraq War, it perpetuates a chronology in which the nuances and complexities of the war are rendered null and void.
A series of photographs that include cinematic elements, including lighting, format, composition, and creative methods.
"Am I annotating or carving my name into another's surface? Do I make pictures that testify or do I take photos that extract and appropriate?"