There are a number of different narratives about the climate crisis. Some provoke hope or despair, others instill fear, and others still provoke apathy or outright denial. Perhaps neither of these portrayals are correct. Perhaps both of them are.
A fictional museum exhibit spins a narrative from documents related to a money transfer end of the Fatimid caliphate. The interpretation casts history as an institution that permanently exists in the present.
“Look, Doni!” the girl called to me, “I’m like a bird!” She discovering “the other,” organizing the world around her into the grammar of you/I, bird/not-bird, like/not-like.
Colin Tóibín’s novella, The Testament of Mary, is a retelling of the Gospels through Mother Mary’s voice, one that is noticeably silent in the bible itself. I hope to place The Testament of Mary next to its source text, The …
In one of the many plots woven into the web of Middlemarch, George Eliot reimagines Charles Dickens’s fantastic story of Pip and his “great expectations” through the much more realistic story of Fred Vincy.