I already miss home. As expected, moving was a mistake. This house is big and empty. I don’t like big houses; my mother knows that. They make me feel small.
My therapist, a woman in her mid-forties with short hair and small spectacles, clears her throat and finds eye contact with uncomfortable politeness. I admit that I enjoy watching how therapists bend over backward to maintain composure, “Jess, I think you might be Bipolar.”
"American Sniper" not only espouses a tired “good vs. evil” narrative, but in altering, omitting, and fabricating aspects of the Iraq War, it perpetuates a chronology in which the nuances and complexities of the war are rendered null and void.
In conjunction with the release of "Fire in the Lake," the third annual volume of creative writing from NYU's Prison Education Program, the editors answer questions from NYU Gallatin students.
A program to begin addressing the fundamental injustices that have afflicted people of African descent in America since the arrival of European pioneers in the New World.