The street art on in this Paris neighborhood "speaks to what it’s like to exist along make-shift margins, with its layers of paper and paint revealing what time and history can cover up."
" I was a person who didn’t watch scary movies. I had no interest in them, and I had no problem telling whichever friends I was hanging out with that I would not watch or go to see any kind of horror or thriller film."
"The presence of Dan Flavin’s light sculptures are difficult to describe; words—and even photographs— do a poor job of capturing the all-consuming effect of his work."
Using light, silver paper, maybe a negative, and chemicals to create an image, this series of images tests the boundaries of what we consider to be a photograph.
"Beth has been in traffic now for a horrendously long time. She has severe road rage, the diagnostic kind for which she has a sponsor. She calls as I leave work to tell me this in her quintessential Beth parlance, her voice an odd but unambiguous synthesis of Bobby Durst and Lindsay Lohan."
"By placing black male bodies into the classic framework of portraiture, Kehinde Wiley asserts that there is something inherently noteworthy about blackness."
"People have been writing about the same few emotions and scenarios since the beginnings of time, so how can something that has become so cliché be innovated in a way that it strikes us as completely original?"