Cast member Gwendoline Horning discusses the upcoming performance of The Brides of Atreus and "the exciting and occasionally challenging nature of ensemble-based theater-making."
"In order to live responsibly and humanely during a time of anthropogenic climate change, this collage responds to the need to look to life as a diverse assemblage of inter- and intra-related entanglements, connections, branches, and networks."
"The lighting by the water is unrivaled, making it ideal for portraiture. My series of photos became about the joy and happiness that the water brings people."
"The human mind is hardwired to see patterns and connections where they otherwise would not exist. Faces are one of the images that our mind most automatically construes out of irrelevant and nondescript objects, so much so that two dashes and a curve or a parking meter can easily resemble a smiley face."
Mosaic uses its platform not as a misguided appeal to younger audiences, but as a conceptual way of exploring the thematic idea at the core of the show.
"Both a tool to control light conditions and a sculptural element meant to evoke a cloud, the screen is not only an artistic tool but a means of mitigating the environment—a sort of skin between the occupant and the solar conditions."