Twelve Steps to American Reparations
A program to begin addressing the fundamental injustices that have afflicted people of African descent in America since the arrival of European pioneers in the New World.
Student Work: Research
In Search of Perfect Work
On Thomas More's "Utopia", John Milton's "Paradise Lost," and contemporary American work culture
A HERMENEUTICS OF THE TOURIST STATE
How might New Zealand’s expression of shared cultural heritage, and emphasis on multiculturalism, define the tourist state?
DELEGITIMIZATION OF TRANCE-POSSESSION
How did trance-possession, an act traditionally praised for its practical utility and transcendent powers across sub-Saharan Africa, come to epitomize heresy?
ART PRACTICE / LIFE PRACTICE
Like a banner at a rally, or a poster advocating for revolution, the art created by the Yoruba people is meant to have life and to be used, whether that function is practical, didactic, ritual, or all of the above.
REIMAGINING SOLITARY CONFINEMENT
Not only does solitary confinement fail to achieve the stated goals of the practice, but many of the effects of isolating prisoners are counterproductive to addressing or preventing dangerous behavior.
PUBLIC DEFENSE AND REBELLIOUS LAWYERING
Can meaningful change be effected from inside the system? How can public defenders break free of becoming mindless cogs?
FASHION IS IN THE SKY
"The purpose of this timeline is to demonstrate this communication between fashion’s function and its aesthetic, and to allow visual interaction with how trends in the past century have developed and transcended societal boundaries."
CYBORG SUBJECTIVITY
"The question of the relationship between humans and our technologies is not a new discussion and neither is the fear that technology may lead to a possible 'dehumanization' or 'denaturalization.'"
NUCLEAR CONSUMERS
During the Cold War, was the United States government was able to dissuade the American public into believing in a “safe” atomic bomb?
VISUALIZING HORROR
"How and to what extent does photography translate the horror of the Nazi concentration camps to the distanced viewer?"
